1.0Flûte Alorshttp://flutealors.com/enmarielaurencehttp://flutealors.com/en/actualites/author/marielaurence/rich600338<blockquote class="wp-embedded-content" data-secret="8oZPrF1S42"><a href="http://flutealors.com/en/record/nouveaux-brandebourgeois/">Nouveaux «Brandebourgeois»</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="http://flutealors.com/en/record/nouveaux-brandebourgeois/embed/#?secret=8oZPrF1S42" width="600" height="338" title="“Nouveaux «Brandebourgeois»” — Flûte Alors" data-secret="8oZPrF1S42" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=http://flutealors.com/wp-includes/js/wp-embed.min.js </script> ATMA presents six ‘New’ concertos inspired by Bach’s highly colourful and creative sequence of orchestrations of the Brandeburgs. This historical reconstruction has been done by scholar and oboist Bruce Haynes. These concertos are not meant as serious reconstructions, merely as speculative trials to demonstrate the possibilities for instrumental treatment of Bach’s rich fund of musical […]