{"id":132,"date":"2015-06-13T15:20:13","date_gmt":"2015-06-13T19:20:13","guid":{"rendered":"http:\/\/flutealors.wp.loc:8888\/?page_id=132"},"modified":"2016-12-20T22:54:28","modified_gmt":"2016-12-21T03:54:28","slug":"marie-laurence-primeau","status":"publish","type":"page","link":"https:\/\/flutealors.com\/en\/biographies\/marie-laurence-primeau\/","title":{"rendered":"Marie-Laurence Primeau"},"content":{"rendered":"<p><\/p>\n<p>A versatile artist, Marie-Laurence Primeau is an experienced recorder player and is now establishing a solid reputation as a viola da gamba player and baroque dancer. The complementarity of these arts gives a particular dimension to her playing and brought her to work with well-established ensembles such as le Consort des Voix Humaines, les Bor\u00e9ades de Montr\u00e9al, la Cigale, les Id\u00e9es Heureuses, les Voix Baroques and the Toronto Masque Theatre.<\/p>\n<p>She has toured Eastern Canada, the USA and Mexico, and is a founding member of the baroque dance company Les Jardins chor\u00e9graphiques. She has been seen in prestigious festivals, has recorded under the ATMA Classique label, and is recipient of a grant from the Quebec Arts Council.<\/p>\n<p>Marie-Laurence teaches in several music schools, associations and summer institutes such as the Toronto Early Music Players Organization, the Montreal Recorder Society and CAMMAC Music Centre.\u00a0<\/p>\n<p class=\"p1\"><em><span style=\"font-size: 14px;\">\u00a0Photo credit<\/span><\/em><span style=\"font-size: 14px;\"><em>\u00a0@Julien Faug\u00e8re \/ ATMA Classique<\/em><\/span><\/p>\n<p><em><span style=\"font-size: 14px;\">\u00a0<\/span><\/em><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>A versatile artist, Marie-Laurence Primeau is an experienced recorder player and is now establishing a solid reputation as a viola da gamba player and baroque dancer. The complementarity of these arts gives a particular dimension to her playing and brought her to work with well-established ensembles such as le Consort des Voix Humaines, les Bor\u00e9ades [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":727,"parent":85,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-bio-single.php","meta":[],"_links":{"self":[{"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/pages\/132"}],"collection":[{"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/comments?post=132"}],"version-history":[{"count":7,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/pages\/132\/revisions"}],"predecessor-version":[{"id":716,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/pages\/132\/revisions\/716"}],"up":[{"embeddable":true,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/pages\/85"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/media\/727"}],"wp:attachment":[{"href":"https:\/\/flutealors.com\/en\/wp-json\/wp\/v2\/media?parent=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}